El Shatt – A Blueprint for Utopia

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Ivan Ramljak202336:28
Availability: Croatia / Subtitles: Eng, Cro

Hundreds of frostbitten and starving people are drifting on boats in the middle of the Mediterranean, fleeing from war. Scenes we have become accustomed to seeing recently… But the year is 1944 and the refugees are fleeing in the opposite direction: from Europe to Africa. After the capitulation of Fascist Italy, and before the arrival of the German army, Tito, with the help of the Allies, decided to evacuate 28,000 residents of Dalmatia to Egypt, where they then lived under tents in the middle of the desert for two years. The refugees took the opportunity to build a kind of communist model settlement that was meant to show the West what the new Yugoslavia would look like when the war ended. This is their story.

Ivan Ramljak

Ivan Ramljak was born in 1974 in Zagreb. In the nineties, he studied at the Faculty of Electrical Engineering and Computing at the University of Zagreb. In the second half of the 90s, he started working as a journalist and editor in written and electronic media (Heroina Nova, Puls, Studentski list, Revolt, Godine, Vijenac, Večernji list, Radio 101, Radio 1…), oriented towards film and musical art. At the end of the 90s, he was one of the initiators and editors of the cult pop magazine Nomad, as well as Radio Student, the first student radio station in Croatia, where he worked as an editor from 1997 to 2001. In the spring of 1999, together with a group of enthusiasts from the Udruženje za razvoj kulture (URK), he started the Močvara club in Zagreb, where he worked until 2004 as one of the club’s managers, a concert organizer and DJ, and the author of the program ‘Filmske večeri u Močvari’. In the winter of 2002, within the framework of URK, he started the Human Rights Film Festival Zagreb. From 2002 to 2011, he was employed as a music, film and TV editor in Klik magazine, and from 2011 to 2017, he published film reviews and articles about film in Forum, 21. stoljeće, Filmonaut, as well as on the portal www.nemilosrdnigadovi.com.

 

In the last ten years, he has mostly been involved in film directing and selection for film festivals and programs. After a series of short films – three feature films and one experimental film – which he co-directed with Marko Škobalj, in 2016 he became independent and focused exclusively on documentary films. Since then, he has directed five documentaries that have experienced great domestic and regional success, and have been shown at more than 80 festivals around the world (Cinéma du réel, DOK Leipzig, Open City Documentary Festival, Thessaloniki International Documentary Festival…). Among the awards, two HDFK’s Octavians for the best domestic documentary film (‘Once Upon a Youth’ and ‘El Shatt – A Blueprint for Utopia’) stand out, victories at the most important regional documentary film festivals Dokufest (‘Once Upon a Youth) and Slobodna zona (‘Islands of Forgotten Cinemas’), as well as world and international premieres at important European documentary film festivals Cinéma du réel (‘Home of the Resistance’) and DOK Leipzig (‘El Shatt – A Blueprint for Utopia’). In addition, ‘El Shatt…’ was the most watched documentary film in cinemas in 2023.

In addition to directing films, from 2013 to 2022 he worked as the editor of the Kratki utorak program at the Tuškanac cinema for the Croatian Film Association, and from 2016 to 2023 as the artistic director and selector of the Tabor Film Festival. From the spring of 2022, he works as one of the short film selectors, as well as a scout for feature films from the former Yugoslavia, at the prestigious International Film Festival Rotterdam. In the meantime, he completed his BA studies in cultural management at the Baltazar Polytechnic in Zaprešić, as well as his MA in documentary directing at the ADU in Zagreb.

KOMPOT
Cine Club Split, Horopter
Ivan Ramljak
Vladimir Živković
Nevena Čaklović
Tibor Keser
Ivan Ramljak
Boris Poljak

2023. Mediterranean Film Festival Split – Special Jury Mention; Audience Award
2023. Liburnia Film Festival – Audience Award; Best Cinematography (ex aquo Boris Poljak); Best Editing (Jelena Maksimović)
2024. Oktavijan Award for Best Documentary Film
2024. The Vladimir Nazor Award for Best Film Achievement of 2023
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